Emily Dickinsons Fascicle 17 Essay -- Emily Dickinson Fascicle 17 Poe

Emily Dickinsons Fascicle 17Approaching Emily Dickinsons poetry as one large body of work idler be an intimidating and overwhelming task. There be obvious themes and images that reduplicate throughout, but with such variation that seeking out any grit of intention or order can feel impossible. When the poems are viewed in the groupings Dickinson gave many of them, however, possible structures are easier to find. In Fascicle 17, for instance, Dickinson embarks upon a pilgrimage toward confidence in her own little world. She begins the fascicle writing to the highest degree her fear of the natural universe, but invokes the unknowable and religious as a means of overcoming that fear throughout her life and ends with a contextualization of herself within twain nature and eternity. The graduation exercise poem in the fascicle, I dreaded that first Robin so, shows us a Dickinson who is intimidated by make up the most harmless creatures in the world around her. Despite t he form of address she gives herself, The Queen of Calvary, her fears seem to hinge on a heart of inferiority to these small harbingers of spring (24). The first chirp of the robin holds virtually awful power, while the daffodils become fashionable critics of Dickinsons simplicity. These comparisons set Dickinson up as approximatelyone very small and childishshe cannot even dissent up to birds and flowers without fear of being exposed to them and found lacking (26). The side by side(p) poem, I would not painta picture continues this caprice, but with a slightly more pleasant spin. While somewhat paradoxically rejecting the creative thinker of making art herself (even devoting a stanza to why she should not write poetry), she gives a sense of the exhilaration she finds in being the audience for any signifier of art. Ultimately,... ...Dickinson has for the most part conquered her fears. As the second poem gave us the unsettling idea that the author of the poem we were re ading was afraid to compose poetry, this poem shows us her coming to terms with that. Her list of creatures blessed with wonders they had not dared to hope for extends rather naturally to include her. She has come to her Heaven through poetryunexpected, but eventually with confidence brought about by the trials dealt with throughout the fascicle. The poems are very closely linked, each one showing us some new aspect of Dickinsons personality that leads toward her confidence. Finally, Dickinson has found her voice and in this final poem proclaims that she has found a peace to which she had not dared take aim at the beginning. Now she has both nature and poetry within her cargo deckthis is Heaven and Old Home all at once.